In it, Durham speaks about the anthropological response to the recent Ebola outbreak and the push by diverse responders for anthropologists to take a culturalist perspective - e.g. what cultural practices might be undermining the Ebola response process - to help fight the epidemic.
Below is a pertinent quote from Durham's article although it doesn't include Durham's definition of the "good enough Anthropologist" or her conclusion:
As such, it suggests that anthropologists ought to expand our academic practice to encompass both research and better public relations: non-anthropological actors become good-enough anthropologists when we ourselves are not good enough at self-promotion, at clearly defining and communicating what it is we do, how we do it, and why we do it this way.
The issue of what constitutes “good anthropology” is, of course, controversial within anthropology: this is part of the issue, albeit an inevitable one. Moreover, while good-enough anthropology easily veers into culturalism, I can also admittedly see where it has the potential to foster a more democratic anthropology (though this is not the direction it has largely taken thus far), raising and/or reopening key questions similar to the one above. Who controls public anthropology, if anyone? What can or should “real” anthropologists do when faced with a public anthropology they may find dismaying? Is public anthropology an anthropology with a public presence, an anthropology practiced by publics, or both? Do attempts to trace such public afterlives aid the democratization of anthropology, or do they border on a way for scholars to reassert authority over the works they write? These are questions whose value lies more in discussion than in simple answers.